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VR

[!note] Definition Inducing targeted behavior in an organism by using artificial sensory stimulation, while the organism has little or no awareness of the interference.

Cosa si può simulare in VR? Praticamente tutto.

Storia

1950

1960

Late 1960’s (the main players in history)

  • Military
  • NASA

Realtà Virtuale

Psicologica percettiva

La psicologia percettiva è la scienza per comprendere come il cervello converte la stimolazione sensoriale in fenomeni percepiti. Ecco alcune domande tipiche che sorgono in VR e rientrano in questo ombrello:

  • Quanto sembra essere lontano quell'oggetto?
  • Quanta risoluzione video è necessaria per evitare di vedere i pixel?
  • Quanti fotogrammi al secondo sono sufficienti per percepire il movimento come continuo?
  • La testa dell'utente appare all'altezza corretta nel mondo virtuale?
  • Da dove viene quel suono virtuale?
  • Perché mi sento nauseato?
  • Perché un'esperienza è più faticosa di un'altra?
  • Cos'è la presenza?

Per rispondere a queste e altre domande, dobbiamo capire diverse cose:

1) la fisiologia di base del corpo umano, inclusi gli organi di senso e le vie neurali 2) le teorie chiave e le intuizioni della psicologia percettiva sperimentale 3) l'interferenza della VR con i nostri processi percettivi comuni e le implicazioni o gli effetti collaterali che ne derivano

La VR (Virtual Reality) sta raggiungendo livelli di immersività sempre più sofisticati, con un potenziale tutto da valorizzare (educativo, formativo, culturale, sportivo, sociale, lavorativo).
Ed è interessante meditare su come funziona tutto questo: con la sabotazione dei nostri sensi.

Sense Stimulus Receptor Sense Organ
Vision Electromagnetic energy Photoreceptors Eye
Auditory Air pressure waves Mechanoreceptors Ear
Touch Tissue distortion Mechanoreceptors, Thermoreceptors Skin, muscles
Balance Gravity, acceleration Mechanoreceptors Vestibular organs
Taste/Smell Chemical composition Chemoreceptors Mouth, Nose

Se l'essere umano percepisce il mondo esterno grazie ai sensi e il mondo interno grazie alla cenestesia (sensazioni interne) e propriocezione (la consapevolezza della nostra posizione nello spazio), nessuno vieta di far arrivare a questi sensi dei segnali artificiali, tanto da ingannare la nostra coscienza fino ad immedesimarsi e credere che sia tutto reale. Ad oggi la vista e l'udito sono i più ingannati e solo loro basterebbero, ma ci sono progressi anche su tatto, olfatto, gusto e sensazioni cenestesiche.

Il problema? se l'inganno non è perfetto e c'è una minima discordanza tra le percezioni sabotate e le sensazioni interne, si crea malessere, ed è interessante sapere che i grossi problemi che si hanno nel progettare esperienze in VR derivano da una superficiale o trascurata attenzione alla fisiologia umana.

Issues

Modalità

Seated vs Standing experience

VR hardware

CAVE or HMD? Standalone or PC-based? input: tracking systems, motion capture systems, data gloves output: visual displays, audio, haptic

Controllers

https://www.virtualgrasp.com

VR Applications

[!question] Domanda Dove useresti la VR?

Cinema / 360 video

Empatia

"cammina nelle mie scarpe" sintetizza molto bene il tema dell'empatia, e la VR è uno strumento magnifico per provare a mettersi nelle scarpe degli altri: che sia una persona del sesso opposto, fisicamente diversa, più alta, più bassa, disabile, daltonica, o che viva in un campo profughi dall'altra parte del mondo o in un letto d'ospedale, c'è chi ha addirittura simulato di essere imprigionati, o di essere dei biscotti e mangiati a colazione!
Vivere le esperienze degli altri in prima persona può cambiare la vita.

Being Someone Else http://beanotherlab.org/home/work/tmtba/

  • What if you were 10cm shorter than everyone else?
  • What if you teach your course with a different gender?
  • What if you were the victim of racial discrimination by the police?

Sociale

la vera rivoluzione della VR sarà con i social: se io e te ci incontriamo con i nostri avatar in uno spazio virtuale e avremo percezioni perfette, dove saremo noi? Qui o là? Cosa mi definisce? il mio corpo o la mia coscienza? Ma di cosa sarò cosciente? Sono tutte domande molto interessanti, vero?

Medical

Sports

Playing Table Tennis in VR https://www.youtube.com/watch?v=m4Oeu4SLCgY

Experiments

Physical Rehabilitation and Psychotherapy

  • Fear of Heights
  • Flying
  • Spiders
  • Public Speaking
  • Driving
  • ...

Training

Prototyping

Telepresence

Art / Performances

Games

Raccomandazioni per i dev

highly successful and popular game experience does not translate directly to a comfortable, or even fun, VR experience. Most of the surprises are due to a lack of understanding human physiology and perception.

Main Safety Concerns

  • Motion Sickness
  • Hitting things or people with the controller
  • Tripping over or running into obstacles

Virtual worlds

  • Set units in the virtual world that match the real world so that scales can be easily matched. For example, one unit equals one meter in the virtual world. This helps with depth and scale perception.
  • Make sure that objects are completely modeled so that missing parts are not noticeable as the user looks at them from viewpoints that would have been unexpected for graphics on a screen.
  • Very thin objects, such as leaves on a tree, might look incorrect in VR due to varying viewpoints.
  • Design the environment so that less locomotion is required; for example, a virtual elevator would be more comfortable than virtual stairs.
  • Consider visual and auditory rendering performance issues and simplify the geometric models as needed to maintain the proper frame rates on targeted hardware.

Visual rendering

  • Never allow words, objects, or images to be fixed to part of the screen; all content should appear to be embedded in the virtual world. being stationary on the screen is not the same as being perceived as stationary in the virtual world.
  • Be careful when adjusting the field of view for rendering or any parameters that affect lens distortion that so the result does not cause further mismatch.
  • Re-evaluate common graphics tricks such as texture mapping and normal mapping, to ensure that they are effective in VR as the user has stereoscopic viewing and is able to quickly change viewpoints.
  • Anti-aliasing techniques are much more critical for VR because of the varying viewpoint and stereoscopic viewing .
  • The rendering system should be optimized so that the desired virtual world can be updated at a frame rate that is at least as high as the hardware requirements (for example, 90 FPS for Oculus Rift and HTC Vive); otherwise, the frame rate may decrease and vary, which causes discomfort
  • Avoid movements of objects that cause most of the visual field to change in the same way; otherwise, the user might feel as if she is moving.
  • Determine how to cull away geometry that is too close to the face of the user; otherwise, substantial vergence-accommodation mismatch will occur.
  • Unlike in games and cinematography, the viewpoint should not change in a way that is not matched to head tracking, unless the intention is for the user to feel as if she is moving in the virtual world, which itself can be uncomfortable
  • For proper depth and scale perception, the interpupillary distance of the user in the real world should match the corresponding viewpoint distance between eyes in the virtual world.
  • In comparison to graphics on a screen, reduce the brightness and contrast of the models to increase VR comfort.

Tracking and the matched zone

  • Never allow head tracking to be frozen or delayed; otherwise, the user might immediately perceive self-motion
  • Make sure that the eye viewpoints are correctly located, considering stereo offsets, head models and locomotion .
  • Beware of obstacles in the real world that do not exist in the virtual world; a warning system may be necessary as the user approaches an obstacle.
  • Likewise, beware of obstacles in the virtual world that do not exist in the real world. For example, it may have unwanted consequences if a user decides to poke his head through a wall.
  • As the edge of the tracking region is reached, it is more comfortable to gradually reduce contrast and brightness than to simply hold the position fixed.

Interaction

  • Consider interaction mechanisms that are better than reality by giving people superhuman powers, rather than applying the universal simulation principle
  • For manipulation in the virtual world, try to require the user to move as little as possible in the physical world; avoid giving the user a case of gorilla arms.
  • With regard to social interaction, higher degrees of realism are not necessarily better, due to the uncanny valley

User interfaces

  • If a floating menu, web browser, or other kind of virtual display appears, then it should be rendered at least two meters away from the user’s viewpoint to minimize vergence-accommodation mismatch.
  • Such a virtual display should be centered and have a relatively narrow field of view, approximately one-third of the total viewing area, to minimize eye and head movement.
  • Embedding menus, options, game status, and other information may be most comfortable if it appears to be written into the virtual world in ways that are familiar; this follows the universal simulation principle.

Audio

  • Be aware of the difference between a user listening over fixed, external speakers versus attached headphones; sound source localization will not function correctly over headphones without tracking.
  • Both position and orientation from tracking and avatar locomotion should be taken into account for auralization.
  • The Doppler effect provides a strong motion cue.

Self appearance

  • The feeling of being present in the virtual world and the ability to judge scale in it are enhanced if the user is able to see her corresponding body in VR.
  • A simple virtual body is much better than having none at all.
  • Unexpected differences between the virtual body and real body may be alarming. They could have a different gender, body type, or species. This could lead to a powerful experience, or could be an accidental distraction.
  • If only head tracking is performed, then the virtual body should satisfy some basic kinematic constraints, rather than decapitating the user in the virtual world.
  • Users’ self-appearance will affect their social behavior, as well as the way people around them react to them

Comfort and VR Sickness

Common symptoms of VR sickness

  • Nausea. This is the most negative and intimidating symptom of VR sickness
  • Dizziness (vertigine, disequilibrio): Users may feel a sensation of movement, such as spinning, tumbling, or swaying, even after the stimulus is removed. This may also include vertigo, which is similar and often associated with malfunctioning vestibular organs
  • Drowsiness: Users may become less alert, yawn, and eventually start to fall asleep
  • Increased salivation
  • Cold sweating
  • Pallor
  • Warmth/flushing
  • Headache
  • Fatigue
  • Eyestrain
  • Accommodation issues: Users may have blurred vision or have difficulty focusing

ma cosa causa questi sintomi? quali sono le cause?

Frontiers

Touch and Proprioception

Smell and Taste

Robotic Interfaces

Brain-Machine Interfaces


Ultimo aggiornamento: 22 maggio 2023
Creata: 22 maggio 2023